Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Dress rehearsal Dancer oil painting


Dress rehearsal Dancer
mk206 1878 Oil on canvas 49.5x32.3cm
Painting ID::  49909 		Edgar Degas
Dress rehearsal Dancer
mk206 1878 Oil on canvas 49.5x32.3cm
   
   
     
Edgar Degas Rehearsal on the stage oil painting


Rehearsal on the stage
mk206 1874 Oil on canvas 65x81cm
Painting ID::  49910 		Edgar Degas
Rehearsal on the stage
mk206 1874 Oil on canvas 65x81cm
   
   
     
Edgar Degas Rehearsal on the stage oil painting


Rehearsal on the stage
mk206 about 1874 Oil on canvas 53.3x72.3cm
Painting ID::  49911 		Edgar Degas
Rehearsal on the stage
mk206 about 1874 Oil on canvas 53.3x72.3cm
   
   
     
Edgar Degas Dance class oil painting


Dance class
mk206 1874 Oil on canvas 83.8x80.6cm
Painting ID::  49912 		Edgar Degas
Dance class
mk206 1874 Oil on canvas 83.8x80.6cm
   
   
     
Edgar Degas Dance class oil painting


Dance class
mk206 1873-1876 Oil on canvas 85x75cm
Painting ID::  49913 		Edgar Degas
Dance class
mk206 1873-1876 Oil on canvas 85x75cm
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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